Amidst the Black Spring of 2020, I found much of my exposure to and understanding of Black interiority and experience, Black history, institutional racism, police brutality, and other topics at hand to be coming from the young, Black, femme content creators I encountered on TikTok rather than my public-school education. Meeting at the intersection of Black and performance studies, communication, education, and sociology, this research seeks to answer the questions of how social media, specifically TikTok, serves as a site of informal education and how the digital performances of young, Black, femme content creators serve to shape this education. To address these questions, I examined the TikTok profiles of five content creators fitting the above qualifications with follower counts in the millions and varying niches across a three-month period. Attending to these archives through the lenses of norms and aesthetics, I’ve come to find that, among other observations, young, Black, femme content creators are educating the general public both intentionally and unintentionally on a plethora of topics, but consistently with a significant emphasis placed on joy. In a political landscape where Black history and truth are under attacked within the traditional education system, we must begin to recognize and create space for the immense value of informal education that occurs outside of the classroom and the performances that make it possible.