Hip hop is both a globalized movement and culture that gives marginalized community members an outlet to express themselves creatively. The hip hop community posits itself as one that welcomes individuals based on one’s credibility through the four pillars: rapping, DJing, breakdancing, and graffiti art. However, despite the “openness” the industry pushes forth, an individual’s race and gender, especially not being a Black, heterosexual male, complicates one’s access to opportunities. Asian Americans, in particular, must simultaneously subvert and reclaim their identities from controlling ideologies through their navigation of hip hop. In this study, I conducted a semi-structured focus group with Asian American hip hop artists from the greater Seattle area (all ranging in age). I conducted individual follow-up interviews with participants, utilizing a narrative inquiry methodology. The combination of the focus group and individual interviews enables me to outline the richness of participants’ hip hop experiences. My preliminary findings indicate that Asian Americans must not only face impositions by mainstream media outlets but also within the liminal spaces of hip hop. Renegotiations and reaffirmations of identity prove critical for Asian Americans because they correspond to a liberation from racialized and gendered scripts. Moving forward, one implication of this study is the limited scope of Asian ethnic representation within all four of the pillars of hip hop, and the need for Asian Americans to redefine themselves within hip hop.