The purpose of this research was to create a pedagogical tool to be used by college professors in effectively teaching jazz improvisation in a group setting. Throughout the history of jazz and jazz improvisation, many works have been created to aid in the individual’s education and understanding of the art form. However, there have been no recent pedagogical works to aid the teacher in conducting group improvisation classes, as has become the common method of instruction. Thus, this research is unique and necessary to help further jazz education in our students. The following presentation details the processes and findings of a combination of various research dating back from the 30s through today, spanning the genres of jazz music, jazz improvisation, and teaching. The research was informed via survey of various professors and jazz musicians across the United States, three interviews, and many different books read, websites scoured, and documentaries watched. These factors combined accumulates into the following three semesters of curriculum for jazz improvisation.