This paper asks how weaving and traditional clothing are used as a means of resistance within the Maya Movement of Guatemala. Although historical evidence and cultural traditions confirm the use of backstrap looms before the arrival of the Spanish, the use of traditional clothing and weaving techniques are often maligned as vestiges of colonial repression and backwardness by the dominant Ladino culture of Guatemala. Those who choose to wear traditional Mayan clothing face discrimination, stereotyping, and hostility. Mayan clothing denotes the sex, age, marital status, regional affiliation, and village of origin of the wearer through the use of different weaving techniques, designs, style, and color. As a result of their inability to find work or navigate through the Ladino culture outside of their communities, most Mayan men have adopted Western style clothing. As such, women have been tasked with sustaining the culture within their communities through the art of weaving and the clothing it produces. The weavers are able to incorporate their cultural history and ideas into the cloth they create. Weaving, clothing, and Mayan identity cannot be easily separated. Due to the high visibility, traditional meaning, and customizable nature of Mayan weaving, clothing has been adapted by Mayan resistance movements as a means of cultural resistance. I argue that weaving and traditional clothing are being used by the Maya Movement to inspire pride and connection with traditional culture as a means to reassert Mayan heritage within Guatemala. Not only has the popularity and use of traditional Mayan clothing grown in recent years, but the meanings and traditions continue to grow and change along with the culture. Research for this paper is based on a mix of primary and secondary sources including scholarly analyses of Mayan resistance movements, history of weaving techniques and clothing, blogs, international newspaper articles, and documentaries.