This is an ethnographical account about a topic of little exploration, indigenous martial arts of the Philippines. Filipino cultures are a plurality of multi-stratum genealogies that merge and occasionally, disrupt one another. Filipino martial arts (or Eskrima) are a collection of Indigenous martial arts that has existed in the Philippines since pre-contact to today. Over the centuries, these arts have distilled into various systems, each with their own styles and codes. Through the methods of ethnographic data collection such as direct participant observation, shadowing, interviewing, literature review, journaling and self-analysis, I will document the shared phenomenological experiences and present a grounded theory based on the sorted material. My qualitative focus will be on one particular Filipino martial art system, Balintawak Cuentada. My presentation will convey the significance of heritage practices along with analytical insight into embodied anti-colonial perspectives while asking; how do practitioners, while living our everyday lives as Americans of Filipino decent maintain this embodied perspective? My study population is a group of practitioners dedicated to the Balintawak Cuentada system. Nearly all of the participants of this research, including myself, began our training because we wanted to connect to our ancestry in a way that could pragmatically fit into our modern lives. In our quest to reconnect with our heritage we have connected with each other. The preliminary results of this ethnography will have implications of significance to other social sciences concerned with place-making, identity, postcolonialism, embodiment, cultural memory, health and politics of the body including gender norms and performances as well as asking the philosophical questions of what are movements of the body without meaning, and what is a community without traditions. My expectation for this research is to document an example of deepening an understanding of the self through the physical engagement of ancestral habitus and ceremony.