Postcards, as the modern Western world knows them, function as tools for communication, providing evidence of a supposedly successful touristic experience. Acting as an essentialized idea of a location, postcards are bought as an artifact by tourists to qualify their experience yet are inherently misleading in not only their apparent sense of direct contact with the peoples of a different location but with their supposed depiction of photographic reality.By extensively analyzing modern literature regarding postcards, anthropological literature on tourist motivations,and hundreds of individual postcards, this research examines how the work of 20th century British photographer John Hinde depicts Ireland as a fantasy, thereby transcending the nature of the already illusory postcard to altogether loftier heights of deception. By making deliberate, significant enhancements and manipulations in composition, color, and subject, Hinde created postcards of an idyllic Ireland that amplified the unreal in the name of both economy and pleasure. Hinde’s postcards were especially problematic because of the ultimate illusion they constructed. This imagined fantasy as constructed by Hinde further disconnects the tourist from the reality of the place they are visiting, allowing their use of the false images as evidence, ultimately reflecting the inevitable failure of the tourist: to really understand the place they are visiting. The significance of this research lies in examining the futility of being a tourist and how visual representation can further complicate cross-cultural experiences. It is important for all people, tourists in particular, to question and become aware of how images can influence their perceptions and motivations.