The language the Israeli Defense Force uses to describe the theory behind their current operational practice constructs a captivatingly intellectual and imperative impression of contemporary urban warfare. Military theorists have lately looked to elite architectural academies for guidance in accumulating readings for their private urban research programs, notably including texts by Gilles Deleuze as well as Guy Debord and the Situationist International. These texts, which resonate strongly with the urbanism of 1960s Paris and its politicization of intersubjectivity, aid military commanders in reconceptualizing the urban domain and designing a new form of movement. In this method, often referred to as infestation, soldiers navigate cities through a series of overground tunnels made from holes blasted through walls of private living spaces, developing the idea of a city as not just the site, but the medium of warfare. The relationship between media theory and military practice is productive in theory’s complication of classical or anachronistic military paradigms; in this case, by smoothing the urban space into a pliable, borderless medium that is by nature contingent and in flux. In the redefinition of domestic interiors as thoroughfares, however, the boundary between public and private is obliterated, and what began as communication between enemies suddenly includes the civilian population in a traumatizing, humiliating way. In my research, I will examine the shuffling and rewriting of public and private space that occurs when the city becomes the medium of warfare, and the desire and violence that drives the interaction between the seemingly incompossible worlds of theory and practice. In performing this evaluation, I will illuminate and explore the potential new values necessary to embrace in order to reconcile the ethical bases of media theory and military practice, as well as the constellations of reality that emerge when the two bases collide.